ArtJunk
No. 16—2024

Galerie Max Mayer

Galerie Max Mayer Düsseldorf Dan Graham ArtJunk

Mutter-Ey-Str. 3
40213 Düsseldorf

Di–Sa: 12–18 Uhr

T +49 (0) 211-54 47 39 67

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Exhibitions

Mega Please Draw Freely (Aldo van Eyck) 

Ei Arakawa-Nash

Info: Ei Arakawa-Nash’s exhibition Mega Please Draw Freely (Aldo van Eyck) at Galerie Max Mayer presents three new works alongside a large-scale participatory installation on the gallery’s floor. Arakawa-Nash’s exhibitions and performances are often created through fervent collaborations with artists (and at times their artworks), art historians, and audience members themselves. By various means of performance and appropriation, the artist reevaluates the relevance of historical artwork and repurposes it under the present context. For this occasion, his three new LED works relate to Japanese artist Jirō Yoshihara (1905–1972), who in 1954, together with a group of young artists, founded Gutai, a radical post-war artistic group in Japan who had a central focus in play, and children’s creativity. (Many of them were educators for a long time.) Toward the end of Yoshihara’s time as a part of the Gutai group, he was known for works showing monochrome painted circles in front of monochrome backgrounds. Following the simplicity of Yoshihara’s formal choices, Arakawa-Nash now presents three of his circles in the three primary colors—red, green, and blue, sourced from the digital image of paintings. (…)

Galerie Max Mayer Ei Arakawa-Nash ArtJunk

Events

Mega Please Draw Freely (Aldo van Eyck)

Sa — 27. April 2024 12:00—18:00 Uhr

Ei Arakawa-Nash

Info: Ei Arakawa-Nash’s exhibition Mega Please Draw Freely (Aldo van Eyck) at Galerie Max Mayer presents three new works alongside a large-scale participatory installation on the gallery’s floor. Arakawa-Nash’s exhibitions and performances are often created through fervent collaborations with artists (and at times their artworks), art historians, and audience members themselves. By various means of performance and appropriation, the artist reevaluates the relevance of historical artwork and repurposes it under the present context. For this occasion, his three new LED works relate to Japanese artist Jirō Yoshihara (1905–1972), who in 1954, together with a group of young artists, founded Gutai, a radical post-war artistic group in Japan who had a central focus in play, and children’s creativity. (Many of them were educators for a long time.) Toward the end of Yoshihara’s time as a part of the Gutai group, he was known for works showing monochrome painted circles in front of monochrome backgrounds. Following the simplicity of Yoshihara’s formal choices, Arakawa-Nash now presents three of his circles in the three primary colors—red, green, and blue, sourced from the digital image of paintings. (…) Finissage in the presence of the artist.

Galerie Max Mayer Ei Arakawa-Nash ArtJunk